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27 Comments
a must for any comic convention.
So I added in today.
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Another approach would be to create two separate fonts: one for the background (current black), another for the foreground color (current white) – and overlap them when composing a document. This is more work (metrics need to be exactly the same in the two fonts), but opens a whole world of possibilities and frees the glyphs from being straight at the left. See a couple of examples of "font stacking" here, here and here.
This approach would also make designs like Hommage a Escher or Bas Relief possible – different shades of grey (color) can be made as solid surfaces in different fonts, instead of halftone patterns in one single font.
Very nice fonts
w
I don't understand why 1 and 6 close the 3d in so different way, bu 1 it's realy nice
I made this little thing for you :)
Thank you very much!
there's a problem with letter combos, it doesnt get the full effect like AX or AJ
Can you add letter pairs like AJ, AX, AZ, etc. so there are no problems.
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